I've been on an absolute spree of (mostly) British cop shows, procedurals set all over the sceptered isle. These range from the excellent (Ellis) to the execrable (Vera), but almost all of them suffer from the cliche of the lead character being damaged and dark. Maybe that's realistic, they are cops after all. But I'm not interested in Detective Chief Inspector Whatshername's trauma. I just want to see the bad guys get arrested and thrown in the back of a cop car with the steering wheel on the wrong side.
Also, why do so many of these supposedly professionals find it so difficult to keep it in their pants around the other supposedly professionals they work with? As soon as there is an adult male and an adult female in the same interview room, you know they are going to be bumping nasties in the next scene and it will inevitably lead to Drama. Guiltily avoiding eye contact, harsh whispered confrontations in the hall, and then his wife kicking him out or her husband demanding to know who the real father is. In the meantime, nobody can figure out who dumped the body in the river. Well Clive, maybe if you could keep your sausage out of Anita's pork pie you might realize it was the roommate. Duh.
The worst part though are the accents. I speak English, honest, and technically so do these characters, so why do I have to watch with subtitles on in order to understand what they're trying to say? The USA has five times the population of Great Britain, but our entire country has fewer dialects than you find in two adjoining English counties. Manchester, Birmingham, Liverpool: they don't fool me, they're making it all up as they go along. And the further north you go, the more indecipherable it gets. I tried watching a show set in Scotland, dear God. Called An t Eilean, the dialogue is in a jumble of Celtic and English, a hash which might as well have been Urdu. Confusingly, the little scraps of English I could understand did not always match up with the subtitles. That was enough to convince me to give up, especially in conjunction with the plot holes (the action opened with some woman in Paris getting a call from her father in Scotland saying he'd been shot. Dude, wut? I don't care how thick your accent is, surely you could figure out how to call an ambulance).
So why do I stick it out with these shows? Because when they're good, they are so much better than American ones, looking at you, Law & Order, the mega franchise that will not die. Anyway I got to go, I have a cold case waiting that depends on an illegal search (are warrants not a thing in England?) and I have to figure out what the slang Gilly is insulting Cletus with.
Guys:









































